Secretly inspired
laughhard:

Every Sports Interview

laughhard:

Every Sports Interview

andrewhussiesbosom:

andrewhussiesbosom:

imagine shooting santa clause out of the sky

IM ALUGHING BECUASE ALL I CAN heAR HIM SHOUTInG IS “ho ho HOLY SHIT

thegriffindiary:

Natalie Dormer
Yeah I know it’s a bit off, but her face is very hard to paint :/Gouache on cardboard

thegriffindiary:

Natalie Dormer

Yeah I know it’s a bit off, but her face is very hard to paint :/
Gouache on cardboard

heckyeahnormangbbo:

Episode 1
Norman makes a fair point.

heckyeahnormangbbo:

Episode 1

Norman makes a fair point.

herr-lucifer:

owlmylove:

therewerestarsintheireyes:

so this housewife decided to rewrite the harry potter series into christian books so that her kids wont be reading about witchcraft and i just cant eveN BREATHE BC THIS IS SO HYSTERICAL

read it here:

Hogwarts School of Prayer and Miracles

image

How can people think religion is not sick and wrong and a total joke lmao

Omfg

The Doctor’s darkest hour has struck so often now that it feels like the boy who cried wolf. Things keep getting more and more ‘impossible’. And yet we’re no further forward in emotional terms. It’s dull. We’re on a downward spiral which shows no signs of heading back towards the light. [Moffat’s] Doctor is already a misogynistic, creepy, rude, inconsiderate, childish, often frightening, intimidating, untrustworthy, man. Do we really want him to get ‘darker’? We’re all hoping Capaldi can work his magic and revive the Doctor’s character, but how far can he manage to drag our hero back if the showrunner continues to push the Doctor further and further into the realms of ‘unlikeable’ and ‘typical moody white male protag’?
(x)

ccharlesxavier:

i want a show called Man Vs. Wilde where someone is put in the jungle with oscar wilde and has to survive not only the elements but also wilde’s random attacks and massive ego

If you’ve never seen an elephant ski, you’ve never been on acid.
Eddie Izzard
eternalgirlscout:

In the Flesh season 2: a summary

eternalgirlscout:

In the Flesh season 2: a summary

real-faker:

sansaspark:

During the scene when Mulan decides to go to war instead of her father, she decides to do it while sitting on the foot of the Great Stone Dragon. The image of the dragon looking over Mulan is repeated several times throughout the sequence, and the bolts of lightning strike at significant times whenever the dragon is in sight. When Mulan takes her father’s scroll and when she is praying to her ancestors, the Great Stone Dragon can be seen. It is also engraved on the sword Mulan uses to cut her hair and the handles of the wardrobe containing the armor are in the shape of the dragon’s head. The dragon’s eyes glowing in the temple symbolizes Mulan’s role as protector of her family awakening, instead of the actual dragon.

The reason Mushu couldn’t wake the dragon is because the dragon was no longer there. Mulan is implied to be the Great Dragon that protects her family.

I get very defensive of film as an art form, and animation especially, because of stuff like this. People sometimes place it lower on the scale of narrative, or say it isn’t as powerful as the written word, but there are things like this; things you can only imply through the visual language that’s exclusive to film. It’s communicating an idea in a way that you might not even realize, but you feel it. It’s a whole different way of storytelling.